2014 SATSUKI BONSAI TOUR

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2014 SATSUKI BONSAI TOUR

May 25-June 1, 2014

Satsuki azaleas are becoming more popular because of their colorful long lasting blossoms, easy growing and adaptability for bonsai training. Although many grow satsuki for their flowers, the shape and form are important for bonsai design.

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The word satsuki means “fifth month” in the Japanese lunar calendar which denotes the season when the azaleas flower. And, some cultivars are showy for over one month. Throughout Japan there are many satsuki festivals, however the Kanuma Satsuki Festvial is among the largest and best. The satsuki flower is the symbol for the city of Kanuma, nort of Tokyo where the famous kanuma soil is mined and processed. Ideally suited for satsuki cultivation numerous nurseries have established themselves in the region because of the kanuma soil availability and climate.

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The entire city of Kanuma is aglow with colorful satsuki blossoms, from specimens being trained in the fields and gardens to established masterpiece bonsai specimens. The Satsuki Kaboku Center is the hub for the Kanuma Satsuki Festival. Established some 40 years ago it features satsuki, flowers, trees, landscaping and gardening material. They even offer an export service as well.

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Ueno Park in Tokyo is the home of the famous annual Kokufu Bonsai Exhibition in February. However, in late May Ueno Park is the site for the Nippon Satsuki Exhibition, held in interesting outdoor display areas surrounding the lotus pond. Prize satsuki of new cultivars as well as masterpiece specimens can be seen and studied.

Kunio Kobayashi’s Shunka-en Bonsai Museum in Tokyo will also be visited and has over ten formal display alcoves. Well known for his masterpiece satsuki bonsai, they will be featured displays among other superb masterpiece bonsai.

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For over ten years Kora Dalager, a California bonsai teacher and travel agent, and I have been leading two value priced bonsai tours to Japan. In addition to hundreds of people from the United States and Canada, members of our Japan bonsai tours have joined from Australia, England, Italy, Puerto Rico, South Africa, Switzerland, Mexico and Russia. The tours are limited in number so we can easily travel in Japan, see bonsai up close and provide individual attention to our members.

This year, for the first time we are leading a special tour to visit the Kanuma Satsuki Festival and Nippon Satsuki Exhibition. In addition to visiting the major bonsai exhibitions we have private visits to many of the world’s leading bonsai artists and gardens, many of which are not open to the public.

For additional information on the Winter 2014 Japan International Bonsai Exploration Tour which will visit both parts of the Kokufu Bonsai Exhibition and Suiseki of Japan.

For additional information on this exciting Satsuki Bonsai Tour check out our website at:

http://www.internationalbonsai.com/page/1449251

Or simply e-mail Kora or me at:

Kora@ca.astound.net

WNV@internationalbonsai.com

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ANNOUNCING THE 2O14 88TH KOKUFU TEN BONSAI EXHIBITION

The 2014 88th KOKUFU BONSAI EXHIBITION

Tokyo Metropolitan Art Gallery, Ueno Park, Tokyo, Japan

 Part 1: February 4-7, 2014

Part 2: February 9-12, 2014

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The Kokufu Bonsai Exhibition, now sponsored by the Nippon Bonsai Association, is the premier bonsai exhibition in Japan, and the world. Hobbyists try quite hard, often for years to have their trees accepted for this judged event where only bonsai of the highest quality are displayed eligible for the coveted Kokufu Sho Prizes.

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Japanese back pine

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Japanese maple

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Camellia, Kokufu sho Prize

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Sargent juniper, displayed by American Doug Paul

An annual book is published after the exhibition featuring every bonsai in the show which make for excellent study of form, species and more importantly the current trends of the Japanese bonsai world.

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No. 1 Kokufu Bonsai Exhibition, March 1934

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No. 1 Kokufu Bonsai Exhibition, March 1934

The first Kokufu Bonsai Exhibition was held in March 1934 sponsored by the private Kokufu Bonsai Society, headed up by Norio Kobayashi (a prolific bonsai promoter, author and publisher of over 500 issues of Bonsai magazine) and Count Yorinaga Matsudaira (President of the House of Peers and one of the first shohin bonsai enthusiasts). The semi annual exhibition continued up until 1949 when it became an annual event. When the Nippon Bonsai Association was established in 1965 they took over the sponsorship.

Bonsai in the Kokufu Bonsai Exhibitions are displayed by the owner’s name, not the artist who created them which are usually different people. Professional bonsai artists have the annual Sakufu Bonsai Exhibition, now held annually in December where their new and finest creations are shown and judged. It is common to see the same bonsai in both exhibitions displayed under different names.

For a complete history and information on the Kokufu Bonsai Exhibition see Robert Baron’s excellent website at:

http://phoenixbonsai.com/Days/Kokufuten.html

Beginning with the 60th Kokufu Bonsai Exhibition in 1986 the Nippon Bonsai Association has commemorated every tenth anniversary year by holding the exhibition in two parts. Approximately 250 bonsai are displayed for four days then during a one day break, all the trees are changed. Therefore if one plans their trip to Japan carefully, over 500 trees can be appreciated and studied during three days. But, it takes me much longer to study that great number of bonsai, I must be a slow learner because several days are necessary for me.

During the past two years the Kokufu Bonsai Exhibition was held in a nearby venue because the Tokyo Metropolitan Are Museum was being remodeled to make it handicap accessible. In 2013 the event returned to the museum, however the exhibit area was not quite as large as in the past and slightly fewer bonsai could be displayed. Although 2104 is not a tenth year anniversary year, the Nippon Bonsai Association will be holding their Kokufu Bonsai Exhibition in two parts.

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Ueno Green Club sales area for the exhibition

During the same time of the Kokufu Bonsai Exhibition the Nippon Bonsai Growers Cooperative have a large sales area in the Ueno Green Club. Here a three story building is filled with bonsai, pre-bonsai, containers, tools, display tables and anything else related to bonsai and suiseki. Around the building on three sides is an outdoor sales area, also filled with bonsai material. The Ueno Green Club is down the hill from the Metropolitan Art Museum, a short ten minute ride which is free on a continuous scheduled mini-bus provided by the sponsors.

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SUISEKI OF JAPAN EXHIBITION

February  9-12, 2014

Tokyo Metropolitan Art Gallery

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The Nippon Suiseki Association was established in 1961 by the head priest of the Meiji Shrine in Tokyo, Japan. The organization holds two main yearly exhibitions which are now supported by the Japanese Ministry of Cultural Affairs.

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In June 2014 the Nippon Suiseki Association was reorganized with Kunio Kobayashi as Chairman and Seiji Morimae as the Secretary General. In February the organization will be staging an exhibition of over 100 fine-quality Japanese suiseki during the second part of the Kokufu Bonsai Exhibition. Many historic and famous stones, rarely seen outside temples and shrines will be on display including a stone from the Tokugawa Shognate Collection.

Winter 2014 Japan International Bonsai Exploration Tour

February 3-10, 2014

For over ten years Kora Dalager, a California bonsai teacher and travel agent, and I have been leading two value priced bonsai tours to Japan. In addition to hundreds of people from the United States and Canada, members of our Japan bonsai tours have joined from Australia, England, Italy, Puerto Rico, South Africa, Switzerland, Mexico and Russia. The tours are limited in number so we can easily travel in Japan, see bonsai up close and provide individual attention to our members.

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In addition to visiting the major bonsai exhibitions we have private visits to many of the world’s leading bonsai artists and gardens, many of which are not open to the public. For additional information on the Winter 2014 Japan International Bonsai Exploration Tour which will visit both parts of the Kokufu Bonsai Exhibition and Suiseki of Japan

Exhibition please check out our website at:

http://www.internationalbonsai.com/page/1449251

Or simply e-mail Kora or me at:

Kora@ca.astound.net

WNV@internationalbonsai.com

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2013 DIALOGUE OF THE PENJING WORLD FORUM– Part 4

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Mr. Yang Guisheng explained why Chinese penjing are so large

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Chiara Padrini from Italy

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Mr. Su Fang organizer of the event

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Uhaku Sudo from Japan

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Kunio Kobayashi from Japan

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Amy Liang from Taiwan

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Tony Peyeras from Spain

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Maria Arborelius Rosberg from Sweden

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Mr. Kestutis Ptakauskas from Lithuania

SPEECH

 

William N. Valavanis from the United States.

Thursday morning began the first part of the Dialog of the Penjing World Forum which was held in a meeting room of the garden hotel. Chinese elm penjing were used as decorations. The room had a rather unusual LED projection screen. The LED screen, NOT projector (but it too was probably LED), was composed of thousands small bulbs which were quite bright. Even in a sunny room one could easily see the projected images. Since the projector had several cords for the screen, it was not possible for me to plug in my MacBook Pro laptop. But no problems, I simply made a copy of the PowerPoint Program and ran it off their laptop. The transitions came through great, but my fonts were changed.

Mr. Xu Huo from China began with a talk on the history of penjing. Then it was my turn to talk about the Origin & History of Bonsai in the United States. The other members of the forum also presented papers and images of bonsai in their respective countries:  China, Italy, Spain, Denmark, Hungary, Lithuania, Poland, Sweden, Taiwan, Malyasia, France, Japan, Vietnam, Singapore, Check Republic and the United States. Mr. Yang Cuisheng presented an informative speech on why Chinese penjing are so large.

The programs were well delivered and interesting, especially with the images of their bonsai and club activities. One half of the speeches were presented on Thursday morning and the other half concluded on Friday.

Terra Cotta Soldiers

After part 1 of the forum we had another Chinese luncheon and were taken by bus to see the famous Terra Cotta Soldiers. It was “supposed” to be a quick 40 minute bus ride, but ended up nearly three hours, ONE WAY. This was the second day of a week long national holiday and the toll roads were free so many were on the road. The roads were lined with people selling fruit. At first they looked like apples, but I soon discovered they were pomegranates, loads of them. Vendors went from car to car selling their fruit. The pomegranate trees nearby were loaded with fruit, mostly wrapped in clear plastic for protection. The fruit looked white and I’m used to seeing the dark red colors. Traffic continued to get bad and at one time we noticed that the four lane road (two lanes in each direction) suddenly swelled up to SEVEN lanes one way!

We finally arrived at the museum location of the ancient Terra Cotta Soldiers which were discovered only 34 years ago by a farmer digging a well, what a surprise he got! A few of the restored soldiers were on display in the large open rooms. Many of the clay soldiers are still buried because when they are uncovered the paint quickly deterorates with fresh air. They soldiers were in three large pits, and building were constructed over them. It was quite crowded and difficult to move around the perimeter of the pits with the crowds and we were told that yesterday over 80,000 people had visited. The farmer who discovered the treasurers was even in one of the three buildings signing autographs, for a fee of course.

Conclusion

On Friday we finished up with part 2 of the well organized forum. The speeches were translated from English to Chinese and often Japanese. Mr. Su Fang, who conceptualized the event and the World Bonsai Stone Culture Association and Chinese Penjing Artists Association are to be congratulated for organizing and hosting such an important international event which brought people from around the globe to a single remote quiet and beautiful location to present information on their bonsai passion. The several translators, hosts, hotel staff, bus drivers, cooks and of course all the people who helped the one person with his broken foot were really appreciated by everyone. I look forward to another interesting and stimulating event and feel fortunate to have been included to represent the United States.

2013 DIALOGUE OF THE PENJING WORLD FORUM– Part 3

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TANG YUAN CHINESE GARDEN

We were split into two groups because there were not enough seats on one plane from Guangzhou to Xi’an. We were joined again and bussed again (only one and a half hours this time) to the next hotel for three nights.

We drove and drove and drove, made many turns down narrow roads in the middle of nowhere. There were landscape trees in nurseries and rocks in quarries. The area looked like an industrial park. Suddenly the area opened to a beautifully landscape hotel spread out throughout beautiful gardens named China Tang Yuan Garden Hotel.

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We then took a long walk as I scooted around and helped in hilly areas and up and down the many stairs. We passed a large area of bonsai, one section was filled with pines, another with cycads, another with podocarpus and even more species. There were hundreds of trees being grown for displaying throughout the hotel and for rental.

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Our tour through the garden continued through beautiful stroll gardens full of large size bonsai and stones. Suddenly we came upon a series of waterfalls, all in a row which looked quite natural. We passed a large building and saw many stones inside, Chiara Padrini from Italy really wanted to visit, but we were not allowed. The building was all stone and looked like a museum. As we went down another path I noticed an entire grove of Chinese quince garden trees, all upright. I asked what they were as the fruit is larger than my specimens and the translator quickly took out here iPhone (of course) and looked up the species and was told they were Papaya. I then asked to see the Chinese characters and recognized them as Chinese quince. I guess the internet translations are not always reliable.

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Ok this place is getting to be overwhelming and I had to sit awhile, wondering what government agency owns the garden. Finally I discovered it is owned by ONE man, Mr. Zhang Xiao Pin, a very successful business man in the hotel, restaurant and more areas. Wait, the tour gets even better! He likes bonsai and fine items. After figuring out the area we discovered the entire complex is over 1,000 (that’s one thousand) acres and is THE largest private garden in all of China. The complex includes the hotel, several restaurants. We have eaten in different restaurants for ever meal, and have never been served the same food, and all the serving plates are different too. In addition to the restaurants there is a tree nursery and stone area, which we drove through upon arrival, an exhibition building and calligraphy museum. And there is a golf course, which we did not see. There were several large areas for training bonsai, and developed specimens wee displayed in scenic areas. Mr. Pin helped support this unique event and everyone was appreciative of his generosity.

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Ok, the tour continues and we come upon a long granite stone building without windows. Looking at the overall view, a large bridge we were on earlier connecting two gardens was on the roof of the building. We were told to put on plastic shoe coverings and no photos were allowed inside. Mr. Pin likes ancient bronze wine warmers which were used 3,500 years ago by the Chinese emperors. This museum was beautiful and each treasure, we were told is finer than those in public museums. They were in glass cases and beautifully lighted. There was a large auction, outside of China of 200 antique bronze items and Mr. Pin purchased over 150 items. It was breathtaking!

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Handcarved Chinese wooden bed, US$3,000,000

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Corner detail carving

Then we continued into another huge building were artisans were hand carving intricate rosewood furniture and other items. It was interesting to see them work before we were led into a showroom with finished pieces. The central masterpiece is a hand carved rosewood Chinese bed which is valued at US$3,000,000. No, we did not have beds like that in our rooms, but my bathroom is even larger than the one previously described, but only one TV.

We are not through yet as we passed another museum but did not visit as we were going into his “bonsai display” area. I was lagging behind, with two people helping me traverse hilly and dangerous areas. There was an electric cart which took Amy Liang and me to some areas avoiding the dangerous areas. I have already broken one foot in Japan and don’t want to add China to the list.

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Kobayashi makes a Treemendous house call!

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By the time I reached the garden, through a formal entrance gate I saw Mr. Kobayashi answering horticultural questions for the collection caretaker on a yellowing Japanese black pine bonsai, which was a water problem. Then, suddenly he dashed off to a large bonsai in pot and climbed to the top to inspect the yellowing and dying needles. He removed needles and consulted with Mr. Sudo on the disease problem which can be easily corrected. Around this garden were “normal” size bonsai and they were in proportion to this smaller area. The huge bonsai, which westerners thing are ridiculous are in proportion to where they are displayed. Proportion is important. China is a large country with large gardens so large bonsai are grown. While, Japan is a small country with small gardens and smaller size bonsai are grown and also displayed indoors, which is not a Chinese tradition.

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Directly outside my room as I write I can see hundreds of HUGE Arborvitae trunks which are being trained for bonsai by grafting juniper scions. The trunks must be at least three feet in diameter and each in an appropriate sized concrete pot. I was just watching a worker remove the binding tape and begin to wire the new shoots. Of course he was standing on the concrete rim of the pot in order to reach the new shoots. One worker then took me and Tonio Payeras from Spain across the road where we found another large field full of powerful huge Arborviate trunks. These trees however, were not in decorative concrete pots, just plain concrete. The trees were individually numbered and I remember seeing a tree numbered 523. I wonder if there are any of these tree still in nature or are they all here in this garden.

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After another dinner banquet we retired for the evening and began the forum the next morning.

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2013 DIALOGUE OF THE PENJING WORLD FORUM– Part 2

ZHENQUE GARDEN

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In the afternoon we were invited to visit Zhenque Garden, owned by Mr. Li. Again, there were large bonsai and even larger larger garden stones. The garden surrounded a pond. As we looked at the trees I suddenly realized that most of the trees are Podocarpus, or Buddhist pines which are quite expensive in China. Six years ago the Chinese government invited me, a Greek American to travel to China to teach Japanese bonsai. I asked for a Podocarpus or Pomegranate to work on but was told they did not grow there. Well, when I got there Podocarpus were all over the place and was then told they were too expensive for demonstrations.

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Unusual soil treatment

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Very large granules of soil

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Reddish new growth, much brighter during other seasons

There were Podocarpus in all sizes, except small, in every style imaginable and other interesting forms as well. Mr. Li specializes in Podocarpus and has selected two new varieties which have bright red foliage when opening, and they are colorful four times a year. Unfortunately, we were not there at the height of the colorful season, but did find a few reddish new growth on some specimens. One of the other visitors there took me inside to show me the actual registration certificates for the two new cultivars.

We were offered bananas and more bananas and even more during our visit. Dusk arrived quickly and Mr. Li hosted a dinner party for us which included many government and penjing officials. There were many long speeches in Chinese and one brief speech by me in English representing the foreign guests. Soon there was singing and dancing and everyone had a wonderful evening. The humidity was quite high and I checked the temperature which was 97F!! Sweat was dripping from most peoples heads and we were refreshed in the air conditioned bus.

The next morning we were flown to Xi’an a northern Chinese city where the forum was to be held and also to visit the famous 3,000 year old terra cotta soldiers.

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2013 DIALOGUE OF THE PENJING WORLD FORUM– Part 1

INTRODUCTION

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I was invited to represent the United States in the 2013 “2013 Dialogue of the Penjing Word Forum” which is sponsored by the Chinese Penjing Artists Association and the World Bonsai Stone Culture Association, who were my hosts for an exciting and busy week.

There are about 20 foreign guests in our group for the forum from 18 countries and we have been moved around, fed lots of good (and interesting) Chinese food and shown superb examples of Chinese penjing, the quality which I’ve NEVER seen before. This has been a real eye opener for me personally. There are several translators from Chinese into English and a special translator for Mr. Sudo, Kobayashi and his apprentice Mr. Suzuki. Mr. Kobayashi also brought his personal translator.

My trip began with my hosts flying me from the World Bonsai Friendship Federation Convention from Jintan to Guangdong for the First 2013 China (Guzhen) National Penjing Exhibition which I have reported on earlier in this blog.

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There I met about 20 foreign guests, the other members of the forum, from 18 countries and we have been flown, bussed, moved around, fed lots of good (and interesting) Chinese food and shown superb examples of Chinese penjing, the quality which I’ve NEVER seen before. This has been a real eye opener for me personally. The hospitality has been wonderful and there was someone near me to help with my broken foot and scooter, there are lots of steps in China.

In Guangdong area we were taken to see two gardens before flying us to Xi’an for the forum. We left by bus, but by the time we got to Shenzhen where the first garden was located it was 6pm so we were taken to a hotel. My single room had two bathrooms, a bedroom, sitting room and three TV sets. The bathroom alone is larger than many of the Japanese hotels I’ve stayed at. Early the next morning we left for Tracy Garden

TRACY GARDEN

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Kunio Kobayashi, Tomio Yamada and Uhaku Sudo

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The first garden visit was to Tracy Garden, the personal collection of Mr. Rick Ng. He has an antique Chinese container collection of well over 200 pieces. Many have been purchased from Mr. Kobayashi in Japan. I followed Mr. Sudo, Kobayashi, Yamada and Suzuki as they carefully inspected the most unusual collection of containers in a long building. Each container was displayed in a boxed shelf unit, many labeled, in Chinese of course. Mr. Kobayashi and Suzuki pointed out interesting aspects of certain containers for my background. There were large containers, but not as huge as the contemporary style of Chinese bonsai.

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Amy Liang pointing out good points in a forest

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Mr. Rick with landscape which took him three years to create

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Outside there were several different display areas, and as I hobbled around, (OK, I left my scooter at the entrance,) I came upon three additional buildings also full of containers. One room also had interesting collections of Chinese viewing stones. One of the buildings had two floors, and of course I had to go upstairs to see what was there, another collection of antique Chinese containers. The Japanese were most interested in several of the containers and spent considerable time there. The buildings were air conditioned and it was quite warm.Image

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The bonsai were all displayed on stone tables and there was neatly mowed grass below, which I’m sure takes considerable time to trim, even with a weed wacker. There were a great number of Chinese hackberry and Chinese elm bonsai among other deciduous and broadleaf species. I was wondering why he did not have any evergreens in his collection. But, as I went up the hill to see more bonsai I looked below and saw another large section full of pines being trained. The garden is up high on a hill and overlooks a small lake, quite picturesque.

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Charcoal added to the soil

Mr. Rick took us all to lunch and gave each of us a set of two (heavy) books on his bonsai collection, perhaps there are also containers included, but have not had the time to check and thoroughly study the book. In my post from the National Penjing Collection I showed a beautiful Bougainillea trained in the feeling of a Weeping willow, which I was now told belonged to Mr. Rick.

There was also a group from China and Taiwan who traveled with us for a couple of days so we needed to large buses to get around. We were then bussed to Dongguan to see the Zhenque Garden. Our private visit was in the late afternoon so we checked into another nice hotel, but I only had one bathroom and one TV.

2013 CHINA (GUZHEN) NATIONAL PENJING EXHIBITION

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How large do you think this penjing is? Scroll to bottom to find out!

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The day after the successful WBFF World Convention I was flown to Guangdong and then took another two hour car ride to Zhongshan City for the First 2013 China (Guzhen) National Penjing Exhibition. It is quite warm here and the airport roads were lined with stately Royal palm trees with colorful red poinsettias used as bedding plants. Penjing from the entire country were gathered for this premier exhibition which was held in a huge new exhibition building. It needed to be large because of the great size of nearly every penjing.

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Just over 100 large penjing, and you can’t appreciate their size unless you see them in person. I had to stand in several of the trees for proportion. The layout was unique and each tree was displayed in a special area with spotlights aimed to present dramatic effects. The trees looked like living sculptures, but were quite difficult to photograph with the lighting. The trees were not crowded, and in fact, there was plenty of space so you can fully appreciate their beauty. There was even enough room to drive a trunk into the exhibit area, and after thinking about it a while, a forklift is necessary to move nearly every tree. There is no way even four men could move most of the penjing. There was only one lonely shohin penjing displayed in box stand, all Junipers. A couple of “regular” size penjing were scattered throughout the exhibition.

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Bougainvillea!!

Additionally there was a display of viewing stones and antique containers. Many were displayed in clear plastic boxes. Each stone and container also had individual lighting. Across from this display area was another good size display of penjing from the Chinese Artists Penjing Association. These trees varied in size, but most were much smaller than those in the China National Penjing Exhibition, but probably in greater number. They were simply displayed on long tables, similar to Japan and were not crowded, nor did they include companion plantings. A great number of exotic species, at least for me, were displayed in nearly every style, except shohin bonsai.

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Natal plum

I was thinking why the Chinese favor such large sizes of trees and perhaps it’s because the country of China is so large. Also, Chinese history does not include sitting on the floor on tatami mats viewing trees in a tokonoma alcoves, as is traditionally practiced in Japan. But rather, Chinese penjing are displayed outdoors in large gardens or indoors in large rooms so big trees are proportionally necessary.

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Dwarf kumquat

Although all beautiful and well refined, most of the penjing displayed have been trained for shorter time than Japanese bonsai. Many of the species are tropical and sub tropical and can grow all year, which means penjing can be more quickly developed and refined. It is much easier to develop fine twigging on larger trees rather than those of smaller sizes. Although I have seen large Ficus defoliated for display in China and Taiwan before, I’ve never seen all the foliage and fine twigs removed from Dwarf Kumquat literati bonsai before and other species as well. Several of the deciduous species had new growth extending which was attractive.

Near the exit of the exhibition a small sales area was arranged and offered trees and containers, mostly large of course. Many people attended the opening ceremony and visited the exhibition afterwards, but there were several guards checking to make certain each visitor had an entrance ticket, even Mr. Sudo, Mr. Kobayashi and Mr. Morimae were first detained because they were not wearing their entrance tags. After entering and being overwhelmed with the size of each penjing one could appreciate their beauty. Photographs were allowed and I noticed several people moving the name cards to get better shots. Perhaps they did not replace the name cards with the right penjing, because many were mislabeled. But this not distract from appreciating the trees, it only bothered plant nerds who want to know the name of each species.

On the evening of the opening day a rather elaborate “China Penjing Night” banquet was held at the hotel we stayed at where they presented many awards and announced the name of the winner who received over US$13,000 for his penjing. Afterwards there was singing, dancing, a laser light show with music, beautiful women holding penjing and magazines parading around and more. Kunio Kobayashi loves to dance. To me the event was similar to a Vegas Show, rather than a bonsai award banquet, and I’ve been to quite a few.

The following morning we returned to the exhibit to see the trees again, as one walk through was not enough to properly study their beauty and see their training techniques. Later in the morning two demonstrations, on the same stage, both using large, of course, Japanese black pines by two teams of artists. One of the artists, Mr. Fan is a third generation penjing artist who is regarded a the “Chinese Kimura.” He quickly worked and trimmed the tree while others wired and then returned to shape the branches. The trunk was well over ten inches in diameter and would be too difficult to reshape on stage.

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I was told this was the highest class exhibition of penjing, ever held in China. The trees displayed here were nothing similar to the mass produced imported trees from China sold in grocery stores in the United States. I now have a new appreciation for Chinese penjing, and feel fortunate to have been invited to the event. If this is the first China Penjing Exhibition, I can’t wait to see future shows and watch the quick development of penjing in China. Another well done event in China.

Additional photos and information will be in a future issue of International BONSAI magazine.

And finally:

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WORLD BONSAI FRIENDSHIP FEDERATION CONVENTION– Part 3

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At dinner yesterday Hwa Jin Lee showed camera photos of beautiful bonsai. She made arrangements for us to visit the bonsai nursery rather than go with the group to see temples and other interesting sights- not bonsai related. A few other hard-core bonsai artists who were also demonstrators join us for this unexpected surprise. This kind of thing also often happens to me when I lead my tours to Japan.

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Our small group included Hwa Jin Lee, her bonsai teacher from Korea, Suthin, Bjorn and friends from Malaysia, The Philippines, Indonesia and Germany, truly an international group. All of us spoke English and enjoyed the visit to the new bonsai nursery. The van arrived and the nursery was a short ride from our hotel.

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Dwarf podocarpus, not Japanese yew

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Japanese five-needle pine

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Mr. Wu and Bjorn with the Japanese maple bonsai that Bjorn worked on in Japan

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Front view of Japanese maple bonsai

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Chinese elm

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Japanese black pine

I did not expect to find a 19 acre beautiful new nursery! The opening ceremony for the Ju Song An Bonsai Nursery is owned by Mr. Wu and his partner who warmly welcomed us gave us a private tour. He told us his plans with us for his new business and I shared the secrete of making one million dollars in the bonsai business- start with two million dollars. He agreed!

In the front garden there was a large stroll garden full of beautiful bonsai, some from Japan. In fact, Bjorn discovered a beautiful exposed root Japanese maple which he worked on at the bonsai garden in Osaka where he studied and is now working. It was still beautiful and quite unusual and Bjorn considered purchasing it in Japan.

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Hanging penjing displayed in a frame on a wall

On the left area of the nursery there was a large greenhouse complex which housed a special bonsai exhibit for the opening of the new nursery. All the bonsai were shohin and several small sections were constructed to display shohin bonsai compositions. Although there were a great number of Chinese Elm bonsai we saw several unusual species, all well done.

In the back area of the greenhouse complex there was a sales area featuring books, shohin display box stands, tools, bonsai, pre bonsai and a few finished bonsai as well. Shinny aluminum was for sale and I’ve never seen it so heavy before. An area featured scissor carts, some with built in turntables which I’m certain are necessary for so many large size trees in this garden.

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Looking way back, see the small red tent in the far distance?

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Half way back

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Chinese artists shaping bonsai on rather unique, at least to me work tables

Behind this area was a huge production area of mostly pines, all growing in pots and others were “heeled in” in the Chinese style using bricks. The main road through this area, and the entire nursery was newly laid concrete, so I had no problems strolling along, no stray stones to suddenly flip me over. In the back section, in the middle of the road I found a pop up tent with a few people working on shaping smaller size junipers. Nothing unusual, except for their work stands which looked like antique Chinese display tables for cascade bonsai.

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Side road to another area

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Another side road leading to another growing area

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Golden shimpaku junipers

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Large size Oriental arborvitae recently collected which will be used for under stock, branches of other species will be grafted to create bonsai

There were thousands of large size pines being allowed to grow and many were being inarch grafted as well. It was staggering for me to see so many pine bonsai in one area, that it almost looked like the famous Takamatsu area of Japan. All of these pines were still in training and there were not too many finished or refined bonsai in this area.

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A “One Bonsai” size truck

After a wonderful surprise visit we join the other group in a temple where we had lunch and watched a Taoist prayer service. We discover that we were lucky because in the morning the group visited a temple with 495 steps.

In the evening we had our Farwell Banquet & Party where over 400 people listened to speeches in both Chinese and English. It went pretty well because we were free to get up and help ourselves to the buffet dinner. Finally at the end it was announced that the next 8th World Bonsai Friendship Federation Convention will be held in Saitama City (Omiya), Japan in late April 2017. This will be the weekend before the semi annual Omiya Bonsai Festival. The following week BCI will have their annual convention in Taiwan. Also announced was that the 13th Asia Pacific Bonsai & Suiseki Convention and Exhibition will be held in southern China, a bit north of Hong Kong.

Mr. Hu, Chairman of the convention did an excellent job coordinating all the activities, with class, too. He announced that over 400 people attended the event from over 30 countries in six continents. New friends were made as well as long time friendships renewed. The activities throughout the three days involved the art, creation and appreciation of bonsai along with the fellowship which is what a good convention should accomplish. Having run over 30 bonsai gatherings myself I know what is involved in the organization of events like this and Mr. Hu and the entire board of directors along with Mr. Xin need to be thanked and congratulated for a wonderful event. I look forward to the next convention in Japan, but hope to meet my new friends sooner.

When everyone was checkout of the hotels we were surprised with complimentary issues of a full color, 16 page tabloid size commemorative newspaper featuring 148 (yes, I counted) photos of the past three day activities. Included was an entire page from the Farwell Banquet & Party held just a couple of hours ago. Well done!

Additional photographs from the World Bonsai Friendship Federation Convention will be in a forthcoming issue of International BONSAI magazine:

http://www.internationalbonsai.com

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WORLD BONSAI FRIENDSHIP FEDERATION CONVENTION– Part 2

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My first report from this trip is only being made possible through the considerable effort of my wife Diane, who took time from her busy schedule of caring for my bonsai and 94 year old mother to help. These reports are being written by me and e-mailed to her first. Then the individual photos are sent to her placed at the correct positions all while iChating on my MacBook pro laptop. The first post required over one hour with her in Rochester and me in China talking with both computers open. I think there is a remote way of taking over other computers because I’ve done it before with Joe Noga in North Carolina and me in Kyoto while he meticulously adjusted images from Japanese bonsai exhibitions. But, this is China and the connections are not that good and often fail in mid conversation and transfer. Although I’ve not yet mastered the line spacing of this Word Press blog program, adding caption comments would be too much work. That’s why the text here is a bit longer to compensate and you don’t see image captions. So, we all have Diane to thank for being able to share my travel, discoveries and study in China with you.

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On Thursday morning, Brussel, Suthin and I first were taken by a private car to the “Parking Lot Sales Area” which is only accessible by walking (?) though a rather muddy path up a hill. I avoided this important part of any bonsai gathering because of the difficult, for me, accessibility. But, the organizers quickly arranged for the private car. But, we needed to wait for another special entry pass. There are security guards everywhere. It was a steep short trip, but we knew there must be a road access because of the large size bonsai for sale. We went though gravel areas to a large clearing. The gravel and steep areas will be paved in the quick future as the garden is not finished yet. There were many trucks lined up on the side before entering a rather large, but dark and cigarette smoky area. Suthin could not stand being there for long periods, so had to leave and re enter several times.

The tent was nearly filled mostly with pot vendors from Yixing, which is only about one hour from here. Most of the pots were kind of large and crude. There were many vendors selling bonsai and pre bonsai, some quite interesting. The Chinese species of Princess Persimmon were filled with small colorful fruit, but they are evergreen, rather than the deciduous species which are most common in Japan. There were quite large, of course, Trident Maples, some which are larger in round than me, and that’s saying a lot. They were quite nice and one finished sample bonsai looked like it was trained in Japan, rather than in China. Lots of small size Japanese Black Pines too. But all the plants were not in the pristine condition which we are familiar with in Japan and soil lacked a lot of everything except water drainage. I don’t know how they can grow, and they were not Bald Cypress. But, if you look through the messy and dirty presentation there were some quite nice bonsai.

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A couple of tool vendors were there offering inexpensive (OK, cheap) Chinese tools which we call “disposable” in the United States, but the new Chinese brand of Ryuga Tools distributed in the US by Joshua Roth was represented in a bright, but small sales area. They had a large selection of tools, and in fact I purchased two rather unusual, for me, bonsai tools- GOLD PLATED. They are gorgeous and nice to fondle. They even came in leather (?) cases with gold colored zippers. Friends warned me that the gold might rub off before I got home to show friends, so I did not use them for my demonstration.

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After my “large” purchase we headed on down to the demonstration area, but there was no shuttle bus and the private car was gone. Since the way back was all downhill, we tried that way. There were gravel areas and one large stretch of heavily packed soil which was straight and not too bad. Of course I had to “roll on down”, while Brussel video taped me, just in case the clip would be good entry for America’s Funniest Home Video, but fortunately for me I survived the trip in one piece with me going down the path in my scooter, which in which I’ve been know to go kind of fast. Then came the muddy area, but got through it.  I now need a wheel alignment, retread and brake job for my scooter. I wonder if that’s possible? Hopefully, I’ll be able to retire the scooter when I get home before I leave for Australia. Even the Japanese visitors, and there were numerous, were dressed formally in suits, but had muddy shoes and lower trouser cuffs. The viewing area for the demonstrations was also kind of muddy as well.

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Isao Omachi demonstration

The sale area was located behind the demonstration area, so after my “road trip” we ended up there to watch the Chinese and foreign demonstrators, or “Performers” as we are called here. All the bonsai looked good, but then we had great material to begin with. Although good material can be messed up during a demo, the bonsai produced after the demos were beautiful, or had a great future. I wish there was an area where the finished bonsai could be displayed with a plain background, but none was provided and the trees are so large, and heavy, they probably will not be brought to the farewell banquet. Don’t forget the venue is over one and a half hours from the hotel. Several trucks and crane lifts would be necessary for this herculean task. So, we could not take good after photos.

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Then we went back to find the buildings we missed the day before. Good thing we did, because we saw so many more bonsai I even imaged! I have NEVER seen such a massive display of bonsai anywhere, in one place at one time, really. It was too much to really appreciate the beauty of each bonsai. Again, each bonsai was pretty clean and on an appropriate display table. In fact, in most cases the bonsai tables were on top of table height tables, which look like bonsai display tables as well.

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Suthin was particularly pleased to see two small rooms filled with shoo-in bonsai, several with unusual shaped display box stands. All multi leveled, busy with every opening filled with not only one (sometimes two) shohin bonsai, but with accessories like mud men. They were quite attractive and interesting, however, not in the quiet taste of the contemporary simple Japanese display I’ve been accustomed to. Although I personally have been trained and teach in the simple Japanese classic form, this was quite interesting and an eye opener for me. There is more than one way to effectively display bonsai, especially shohin bonsai. This is one of the main reasons I’m here, to expand my horizons and appreciation of the art. But saying this, the Chinese contemporary display style still has taste and dignity, not like what I’ve seen in most club and regional bonsai shows in the United States when displaying too many items in small areas. Even the small accessories were fine quality, even for mud men, they look good. Perhaps I should purchase a few mud men for my collection if I find any.

While “strolling” though the garden, downhill much easier than uphill, I like to notice things, in addition to pebbles on the paths. I noticed that all the colorful annual flowers, placed in flower beds were not actually planted, but rather still in the small flexible plastic pots. Perhaps this was because of last minute decoration, but was told this is the common way to plant flower beds in many Asian countries, not in Japan however. Individually “heeled in” provides the ability to easily replace the plants. But the roots are still contained and do not have the room to grow into the surrounding soil for moisture. Therefore, they must be watered more often.

After lunch, we got there early to get a good selection, we were driven to the demonstration area which is up on a hill, but with still two sets of multiple steps away. Everyone helped carry my tools and stroller while I went up the stairs. Did I mention there were several sets of steps?

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All of the US team were on one side except for Bjorn who was on the other side of the courtyard. Each performer had an individual pop up tent, new scissor cart and was provided aluminum wire. But I brought my own annealed copper wire which was shared with Suthin and Jack. The areas were about three feet above grade level. Most of demo areas were in front of newly laid sod, which by this time was a bit muddy. But my area was in front of a paved area. After getting up “on stage” I did not get down until the end to check the branch positioning of my tree to save extra stress on my broken foot.

I asked my friend Diane Boekhout, President of the Bonsai Society of Western Australia from Perth to assist me. She helped me two years while I was teaching in Perth and I’ll be with here in another two weeks teaching. She is skilled and quick and we had a lovely conversation during the demonstration. There were NO questions from the audience, which was mostly Chinese. There were not that many other foreign spectators as well because of the hot sunny weather. Most of us were in the sun. I tried to explain a few things, but it was not necessary, so most of the demonstrators simply worked as the limited number of people casually went from demonstrator to demonstrator watching them work. Fortunately, several friends took some photos of us working, as we did not have time to walk around and see what our fellow US team members were doing.

I worked on a large size twin trunk Chinese Sweet Plum. The trunk differences and heights were pretty good, but the tree needed some carving on the back to remove dead wood, which I did not want. The next issue of International Bonsai will be on twin trunk style so I took several photos for possible use to explain my twin trunk design principles. Unfortunately, there was no background, except for the green trees behind the tent so “final” photos of all our demo trees are not too good. But, I’m working on getting better final photos from the convention committee.

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Randy was next to Brussel and worked on strangely shaped Oriental Arborvitae. But the tree came out well after Randy created dead wood on top.

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Suthin worked on a smaller size Juniper, still to heavy for him to lift because of the cement-like soil which ended up in a cascade with dead wood on the bottom.

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Jack worked on a lovely Japanese Red Pine. He found the tree before the demonstration and made a beautiful drawing of what he wanted to do with the tree. He accomplished his goal and created a great bonsai. His wife designed an unusual apron which holds branch trimmings then folds out to dispose them in the trash.

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After changing the tree they selected for his demonstration, Bjorn finally got another Japanese Red Pine. His tree too was transformed into a larger size bonsai with great movement.

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Brussel got one of the best trees available, an old collected Chinese Elm with beautiful multi-colored bark. This small, but quite heavy tree with pretty good taper had many stones imbedded into the trunk which added to the drama of the tree. He pruned and wired the branches to form an excellent bonsai with a triangular silhouette.

We were all tired from working in the hot sun and weather and enjoyed a quiet dinner at the hotel. During dinner Hwa Jin Lee, from Korea who lived in the United States showed me photos she took earlier in the day of a bonsai exhibit. The trees looked great so, of course, I had to see them. She quickly made a phone call and a van was arranged to pick a few us up to visit the bonsai nursery with the exhibit the next morning.

WORLD BONSAI FRIENDSHIP FEDERATION CONVENTION – PART 1

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The 7th World Bonsai Friendship Federation Convention has been combined with the 12th Asia Pacific Bonsai And Suiseki Convention this year in Jin Tan, China and will take place on September 24-28, 2013. I’m part of a six man team from the United States and am joined by fellow bonsai artists and friends, Bjorn Bjorholm, Randy Clark, Brussel Martin and Suthin Sukosolvisit.

Yesterday I arrived in China after a long 15 hour direct flight from Newark, originating in Rochester. The convention committee met us and led us to an air conditioned bus where we had to wait for THREE hours for other foreigners to arrive. Then they told us the bus trip would be another FOUR hours to the hotel. That’s like me flying into Rochester, NY and driving to Pittsburgh, PA for a hotel!

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Today we are boarding buses to the convention venue, which is another hour and a half dive. Boy, China is a huge country! We had a police escort to the venue and passed the unfinished hotel were everyone was to stay in the garden. We are distributed in four hotels and using 12 buses to go back and forth to the garden. The demonstrations are at the Baosheng Bonsai Museum, a brand new, yet unfinished beautiful park which is over 16 acres in size. It personally belongs to Mr. Changbo Xin, the WBFF China Chairman and great benefactor of bonsai. He was building a huge hotel for us, but did not complete it in time. In fact, the entire museum complex is not finished yet and they only “put it together” for our visit. It will close in a few days until it is complete. I was told nothing was there four years ago.

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There are several museums and buildings, but I did not have time, nor the energy on my scooter, to see everything, but will try again tomorrow before my demo. There are LOTS of stairs which are easier for me to go up, rather than go down. It seems as though the museum park is comprised of an entire mountain top. Lots of stairs, BUT everyone in the committee is helping me get around and brining bringing “electric cars” to move me. Even on the bus our group and driver are quite helpful. I don’t think China has heard of handicap requirements as we have in the United States.

There are over 400 registered guests and many more were at the Opening Ceremony, which was listed to begin at 9:58 (not 10:00) but did not start until after 10:15 with dragon dancers and loud music. The fireworks were on video screens. During the presentations a helicopter drone flew over the people taking photos, kind of neat. My brother has one, but this model is quite a bit larger and I’m sure will take good photos.

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Museum visits concluded the morning activities and they were quite crowded. Fantastic trees! Most of them belong to Mr. Xin, but he invited other artists to display their best bonsai, which were judged, in one of the buildings. I was told I missed an important building full of Japanese bonsai, but I can see Japanese bonsai next month during my Japan tour. I want to see the Chinese penjing to get a better understanding and appreciation of the origin of what we call bonsai. I’ll still try to visit the building tomorrow. The walls were painted white which was good for photography. The size of many specimens is staggering! I guess large is best in China. I did not expect to see the fine refinement of most of the bonsai. Surely, many of the trees are more than four man trees.

We returned back to the entrance where a large restaurant was prepared for buffet lunch. Then the 47 speakers met to select their demonstration trees. Each of us was asked which species they wanted to work on. Nearly everyone said juniper or pine, but I said hackberry. There was one large hackberry in the selection area, and I was first to select, but they gave it to Budi from Indonesia, but was offered a large size Chinese sweet plum with two trunks. I can fix it. Others looked at their trees and many switched. Bjorn was given a large Hinoki with a beautiful trunk, but quite poor roots and not happy, but was allowed to select a good Japanese red pine. Then, sitting back I saw another artist grab the tree because he liked it. Isao Omachi’s tree was huge! He said it was more like a “three day tree” rather than the three hours we are allocated to work. By the time we finished this process the three Chinese demonstrations were just about finished, but saw the last part of Brook Zhao’s huge (5 man) land and water penjing.

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All the demonstrators were sent e-mail messages to attend a meeting and they would provide each with a scissor cart (moves up and down), “metal” wires but were to bring our own tools. Since I did not understand what “metal” wire was, and prefer not to use sissy wire, brought a complete selection of annealed copper wire from No. 6 to No. 20. I don’t think I’ll need the heavy wire, so Suthin or one of the five others sfrom the United States can use it, if they want.

Tomorrow 22 (yes, twenty-two) demonstrations will take place at the same time in the same courtyard. Each artist has a pop up tent to work in, just in case it rains. Then, after lunch another 22 demonstrations will take place. I’m curious to see how this works out, each of us has an assigned tent. We just returned back to our hotel from the Welcoming Banquet, which FINISHED at 8:30 pm. Now, I’ve been to a lot of banquets, in fact 10 conventions this year alone, and that time is closer to the beginning rather the end. The room could not fit everyone, so an extra room was opened in the back (cheap seats or kid’s tables?). Even the Japanese were in the back room and we could not (luckily?) watch all the speeches, but had a great delicious meal and saw loads of friends from all around the globe. Bonsai fellowship is quite important in the art as there is more to bonsai than just shaping trees. To be continued……