The Bonsai Society of Upstate New York is holding their 44th Upstate New York Bonsai Exhibition on May 27-28, 2017 at the Monroe Community Hospital in Rochester, New York. Some of the finest bonsai in New York state will be on display for the public to enjoy and learn from too.
These photos are from past Upstate New York Bonsai Exhibitions, since this year’s has not even been set up yet. Since this is a society show, bonsai from all levels of development will be displayed from our membership.
New this year is a special display of masterpiece satsuki azalea bonsai from Melvyn Goldstein from Cleveland, Ohio. He is bringing a van load of some of his finest satsuki bonsai to share with viewers. This group of azaleas blooms later on in the season, so our show dates have slightly been adjusted to display the colorful blossoms.
Many of our members have excellent shohin bonsai and this special group of bonsai will be well represented. If you like shohin bonsai, join us for the US National Shohin Bonsai Exhibition next month in Kannapolis, North Carolina. More information can be found here: http://www.internationalbonsai.com/page/493925678
As in the past members from the Upstate New York Suiseki Study Group will have a display of stones collected in New York and also from Japan. The local chapter of Ikebana International will also have some of their beautiful arrangements to share too.
Two demonstrations at 2pm on each day will be presented. Marc Arpag, noted bonsai artist and President of the organization will be on Saturday. While on Sunday, Jerome Cushman and other accredited teachers from Ikebana International will demonstrate their art. Bonsai videos will be shown throughout the day, except when the formal demonstrations are being conducted.
A large sales area featuring bonsai, pre-bonsai, tools, shohin bonsai, display tables, collected trees and more will also be in a separate section of the large auditorium.
2017 SPRING OPEN HOUSE
My garden will be open to the public on Saturday & Sunday, May 27-28, 2017, in Rochester, New York. It is a short 15 minute drive to the Upstate New York Bonsai Exhibition. Newly created bonsai from this spring, plus many more transplanted into new containers can be seen and studied in my garden which features bonsai of all sizes, stages of development, numerous unusual species and all price ranges of course. All of this is in a unique garden featuring classical bonsai framed by unusual species, including a large wisteria in front of the house featuring blossoms OVER 3 FEET long. Bonsai, supplies and more will be on sale too!
Join us this weekend to get your bonsai fix, especially if you are in driving distance from Rochester. It’s a great bonsai destination for the Memorial Day holiday weekend!
A few last photos from Kora’s and my World Bonsai Convention Tour.
Have I got a deal for you! Seiji Morimae is also a great auctioneer. Sold to Ron…. again
Kanazawa garden and castle
Kanazawa produces 99% of Japan’s gold. Some was left after restoring the Golden Pavilion so they use it on ice cream. Diane asked if I was going to be the golden goose laying gold eggs…. no comment
My great roommate Jason
Sink in a public restroom. I felt kind of funny taking photos in the restroom. Look, this toilet also plays music!
We had two English bouncers at the convention reception.
Azalea on a street in front of a residence
Tomohiro Masumi watering his shohin bonsai at Koju-en Bonsai Garden
View from the rooftop of Koju-en Bonsai Garden
Mr. Masumi’s father and Ron
Yosuke Omizu in his garden which features shohin bonsai
$170 Crabs at a fish market. We had sushi, of course.
I hope you enjoyed my photos as much as I did taking and sharing them with you
Last week we visited several of the bonsai gardens in Omiya Bonsai Village. Our first stop was the garden of Masahiko Kimura. Of course there were magnificent masterpiece bonsai as always with heavy interesting trunks featuring sculptured dead wood and refined branching.
However, I noticed something new, rock plantings, and lots of them. The first demonstration at the 8th World Bonsai Convention was presented by Mr. Kimura who showed how to create a clinging-to-a-rock bonsai. He used a rather tall rock he made and planted several Sargent junipers grown from airlayers. The trees were already trained and Mr. Kimura planted them in shallow crevasses he designed in the stone. During his visits to China he was very impressed with the tall narrow mountains and wanted to create a similar, but refined scene.
His garden featured several size clinging-to-a-rock planting created using artificial stones he made planted with Sargent junipers and Tsuyama hinoki cypress. They were quite impressive because of their great size and suggestive beauty. Most of them were not displayed in his garden a few months earlier. He must have been quite busy. Perhaps these creations are more affordable for customers to purchase than the old collected evergreen bonsai he is well known for.
I’m only photographed here for scale, even though I’m vertically challenged, the rocks are large and probably heavy too!
The Omiya Bonsai Art Museum was beautiful as always and featured numerous bonsai from prominent bonsai artists.
Mr. Kato’s Mansei-en Bonsai was full of large size bonsai, many of which were displayed a few days earlier at the convention.
Mr. Takeyama’s Fuyo-en Bonsai Garden took on a different color than which I’m most familiar with. The deciduous trees were bright green full of fresh new growth. Usually our tours visit Omiya when the bonsai are in full autumn colorings or in winter when the delicate twigs can be appreciated.
I noticed a well known famous Trident maple masterpiece with an unusually large wide surface root display. The bonsai looks like it was recently transplanted this spring and the widest ends of the surface roots were shaved back to fit into the container leaving a narrow edge of soil around the roots. There must be some surface area where water can easily reach the feeder roots. Bonsai with such a large surface root area must be carefully monitored for watering. Also, the surface root are of many bonsai with a prominent surface root displayed are protected with moist rags during the hottest summer days. Moist rags are simply draped over the surface root bark.
A few days ago our group visited Uchiku-Tei Bonsai Garden at S-Cube in Hanyu, north of Omiya. This is the headquarters of Seiji Morimae, a professional bonsai artist who specializes in high quality bonsai, suiseki, antiques and display.
A few hours earlier he returned home bringing six truck loads of bonsai, suiseki, display tables and more from the 8th World Bonsai Convention. By the time we arrived early on Monday morning everything was unloaded and all the bonsai were watered. Mr. Morimae is the chief director of the Nippon Suiseki Association and designed their display at the World Bonsai Convention.
He can trace his family back to 500 years of gardeners and horticulturists. His family and staff made us all feel welcome which delayed our next stop to Masahiko Kimura over one hour late. Our group always loves to shop at his garden because of the excellent quality of items for sale, and at great prices too!
He has well over 3,000 bonsai plus suiseki, antique containers and other art. He always has something different to enthusiastically show our group. This year was no exception. A few years after Daizo Iwasaki’s passing Mr. Morimae purchased over 1,000 bonsai from the Iwasaki Collection. Three of which he donated to the US National Bonsai & Penjing Museum at the US National Arboretum in Washington, DC.
This year he told us he also purchased most of Mr. Iwasaki’s large trained specimen garden trees, stones and more. Many of these large garden trees are at his garden in Hanyu and somewhere else where they will be planted at a new bonsai museum he is building in Kyoto. He showed us a few of the large garden pines which are now planted in huge wooden boxes. Some of these trained garden pines are valued at $750,000.
Collected Japanese red pine from Korea in Mr. Iwasaki’s Takasago-an garden several years ago.
The same ancient Japanese red pine in Mr. Kato’s garden
Numerous old collected Japanese red pines from Korea were featured in Mr. Iwasaki’s garden “Takasago-an.” I remember one spectacular specimen in the garden well and saw it in Mr. Kato’s Mansei-en Bonsai Garden in Omiya Bonsai Village, now in a large wooden box. I wonder where it will end up… and also which country too.
Last week before the Opening Ceremony of the 8th World Bonsai Convention in Saitama, our group visited Mr. Kobayashi’s museum. Each time I visit this special garden there seems to be more and more bonsai, especially large size specimens. This visit was not an exception, except that the garden was also full of foreign visitors from Europe and China.
Despite his busy schedule, Mr. Kobayashi took time to greet us and autograph his books. His museum has about a dozen alcoves where his masterpiece bonsai and suiseki are formally displayed in the three levels of formality. It was wonderful to see the deciduous bonsai with fresh green foliage as I usually see them in their autumn colors or in their defoliated stage.
Several bonsai collectors had their own individual displays at the World Bonsai Convention. These were not simply a few tables put together to feature their own personal collections of bonsai, suiseki and antique containers. But, rather full blown displays, which would make any bonsai club, show envious. Many of their bonsai are easily valued at more than an entire club show. One of the bonsai on display, I’m not saying which one, is valued at over US$450,000. Here are a few of the collections which I think you might enjoy which I was able to photograph. Some were so crowded it was impossible to photographed.
This unusual display was rather modern compared to traditional Japanese presentations and was designed by Seiji Morimae, proprietor of S Cube. The display was “U” shaped with a collection of antique containers in the center on individual pedestals in glass cases so they could be enjoyed from all sides. The black background accented with red was rather striking and really presented the bonsai well, but were difficult to photograph. Masahiko Kimura originally created many of the bonsai.
Shinji Suzuki maintains this collection and our group saw several of the bonsai in his garden a few days after the World Bonsai Convention. A few of my photographs of them in Mr. Suzuki’s garden came out better than in the convention display.
Mr. Funayama has a private collection of primarily Japanese five-needle pine bonsai at his home, north of Tokyo. Additionally he has a rather valuable collection of antique containers, although they were not displayed. His display, also designed by Seiji Morimae, was a walk through presentation with two long low boxes filled with sand and many suiseki adorned with moss in the center. Two pines, one on each end of the two long boxes combined with the stones and moss reminded me of scenic Japan. The boxes were surrounded by bonsai with a light yellow background, which was similar in color to many of the pines, which made them difficult to photograph.
Seiji Morimae and his assistants also maintain the Funayama Collection. A few years ago he took me to visit Mr. Funayama. During lunch Mr. Funayama showed me an old photograph of one of his prized Japanese five-needle pine bonsai from an exhibition around 1940. The photo was so old that it was in black and white, rather than color. That was the last time it was displayed until the Asia Pacific Bonsai & Suiseki Convention in Takamatsu held in November 2011. Mr. Morimae designed and had handmae in China for this bonsai which was valued at US$1,000,000.
The Nippon Suiseki Association had a special area for their display of the 100 finest Japanese suiseki. Individually, I’ve been fortunate to have seen many of these masterpieces, but never have I seen so many in one exhibit before. I doubt if many of the 45,000 visitors to the World Bonsai Convention realized what they were looking at. Since many of the stones were small in size, but huge in suggestive expression they were displayed under glass for protection.
This exhibit was again designed by Seiji Morimae who is the chief director of the Nippon Suiseki Association which is headed up by Kunio Kobayashi.
Since this special display was near the entrance to the exhibition it was quite crowded and also difficult to photograph against the gold background. Mr. Hasaka has one of the finest bonsai collections primarily of pine bonsai. His new garden is near Nikko.
Saika Bonsai & Photo Collaboration
Saika bonsai is a rather unusual style of bonsai created and promoted by Kaori Yamada, the 5th generation of Seiko-en Bonsai Garden in Omiya Bonsai Village. Her father, Tomio Yamada is a prominent bonsai artist who has excellent refined taste and maintained the Takagi Bonsai Collection which was the beginning of the Omiya Bonsai Art Museum.
Originally Keiko Yamada did not want to join the family bonsai business and graduated college with a degree in marketing and wanted to become a flight attendant. But her love of bonsai became strong and she wanted expand the art to women and young people because bonsai is considered to be an old man’s hobby which seemed to by dying out in Japan. She invented “Saika Bonsai,” which means colorful flower bonsai which uses flowers and grasses along with trees, usually in a container small enough to be held in two hands to make it easy for women to handle. Saika bonsai has become popular and she has authored several books and hosted weekly TV series as well as teaching at the family bonsai garden in Omiya.
Her special display at the World Bonsai Convention was titled “Timeless Moment a Collaboration of Saika Bonsai & Photographs by Hiroyuki Kudoh.” It was presented in a unique black setting of two rooms, each with two saika bonsai and one large photograph. Hiroyuki Kudoh is a professional photographer who shoots landscapes in the northern regions of Japan for magazines and books. Ms. Yamada’s style is to express scenery in a limited atmosphere and has captured the attention of women and other young people.
Its interesting to note that another new bonsai form “saikei” which was invented by Toshio Kawamoto in the 1960s after World War II was not represented at the World Bonsai Convention because the form does not have any followers in Japan. Saikei, which is a registered trademark, seems to be more popular outside Japan.
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